The third act will start in a second once my coffeemaker finishes.
God, I love this opera. The music is fabulous, the costuming, the singing, everything. And the story! No more “then the chick dies, the end!” Ooh, I looooove it! That’s the best part!
No. It’s not the best part. It sucks. Watching most operas is like being a gay guy and watching “Brokeback Mountain” sixteen times in a row. No, it’s not the “best part” when the gay dude dies. It’s the sickest, saddest part. I’m reminded of one of the characters in the stage play “The Boys in the Band” who cynically remarked to a friend, “You know, the fag doesn’t always die at the end.”
Well, the chick doesn’t always die, either. Sometimes she kicks all kinds of ass and sings like a bird in the process. No wonder this is, as stated in the intermission interviews that took place during the HD broadcast that made this DVD, Renee Fleming’s teenaged daughter’s favorite opera. The chick kicks ass, wears fantastic gowns in the process, and gets to land Andreas Scholl at the end. (Who by the way has long hair in this. And thigh-length leather boots. He’s about nine feet tall. Those boots go on for a while.)