— and that Guarneri is perfect for her. I’ve got another CD of hers on the old Amati she had, the 1617, and that thing sounded plasticky when she played it. She asks a lot of a fiddle; she’s a very athletic player. And that Amati used to buckle under it. The Guarneri sings more and more sweetly the harder she pushes it. I can’t imagine a better player for that thing. By rights, when she’s gone, it should be called the ex-Pine.
And it sounds like a viola on the low end — a nice, deep sound, dark and savory.
Anyhow, it’s this CD. Go get it.